Bħal fid-djalogu tal-MICAS bejn il-modernist Amerikan Milton Avery u l-artisti kontemporanji tal-lum bħall-Partu, l-artist jitkellem dwar l-akkoppjament serendipituż ta’ xogħlijiet storiċi u kontemporanji

Tifħir għall-artist Żvizzeru Nicolas Party, wieħed mis-seba’ artisti kontemporanji tagħna li qed juru xogħolhom fil-wrija Colour, Form & Composition, Milton Avery u l-influwenza dejjiema tiegħu fuq il-pittura kontemporanja.

Ir-rivista Morning Calm ta’ KoreanAir tintervista lill-artist wara l-wirja personali reċenti tiegħu fil-Mużew tal-Arti Ho-Am, li jospita kollezzjoni tal-arti antika fejn xogħol Party ntwera maġenb xulxin fl-istess spazju.

Bħal fid-djalogu tal-MICAS bejn il-modernist Amerikan Milton Avery u l-artisti kontemporanji tal-lum bħall-Party, l-artist jgħid li kien eċċitat jara x’tip ta’ djalogu se jiżvolġi bejn ix-xogħlijiet storiċi u dawk kontemporanji.

“Cave-like landscapes imbued with fine dust created by pastels, and portraits that straddle the line between reality and fantasy. Based on this unique visual language, one artist is currently attracting significant attention in the international art world. Born in Switzerland and based in New York, Nicolas Party has cultivated a unique aesthetic by incorporating intense colour and a simplified sculptural sensibility while retaining classical forms. Once considered a peripheral medium, Party expands pastel into a medium that bridges painting, drawing, and sculpture, adding new experimentation to the tradition. Furthermore, he transforms entire exhibition spaces into painterly scenes, fluidly crossing the boundaries between painting and installation.”

AQRA L-ARTIKLU SĦIH hawn